Bands are good at playing and bad at bookkeeping, and the reason is usually that the two live in different places. The gig is in a chat, the fee is in someone's head, and the invoice gets written in a word processor three weeks later. MyGigFlow keeps the money on the same event as everything else, and turns it into a PDF when it is time to be paid.
Every event and every rehearsal can carry its own income and expenses. Not one annual total, but this gig: what the venue paid, what the van cost, what the rehearsal room was billed at. Each entry has a title, an amount, a currency and a note, and can be attached to the event it belongs to.
That is the difference between knowing the band turned over some amount last year and knowing which gigs were actually worth playing.
Payments are recorded per person per event. Each one holds the amount owed, the amount actually paid so far, and a status: pending, partly paid, or paid. Partial payment is a real state rather than something you approximate, because in practice a deposit arrives first and the rest follows.
Members see their own earnings and their own history. Admins see the band's. A stand-in who played two gigs sees those two, not the rest of the year.
Invoices are written in the app and come out as a PDF with the band's own logo at the top. Line items with quantities and prices, a subtotal, VAT at the rate the band has set, and a total. Invoice number, invoice date, due date and payment terms, plus a free note if the client needs one.
The invoice is prefilled with the band's own details, so the address, bank details and tax numbers do not have to be typed out per invoice.
This is the part most tools get wrong. An invoice is not the same document everywhere, and MyGigFlow does not pretend it is. Which fields the invoice asks for follows the band's business country.
A Dutch band fills in a KvK number, a VAT number and an IBAN. An American band fills in an EIN, a sales tax ID, an account number and a routing number. A band somewhere with neither of those systems gets a neutral pair - a company registration number and a tax ID - plus IBAN and BIC where those apply. Nobody is asked for a KvK number they do not have.
Amounts are formatted the way that combination of language and country writes money, which is why a yen amount prints without decimals and a dinar amount with three. The currency itself is a band setting: the band decides what its money is, regardless of what language the person reading it uses.
MyGigFlow carries invoice labels in seven languages: Dutch, English, German, Spanish, Chinese, Portuguese and French. Every heading on the document - invoice number, bill to, description, quantity, subtotal, VAT, total - exists in all seven.
The tax line carries the label the band gives it, so a band that does not call it VAT does not have to.
Alongside the per-gig figures the app keeps a running picture of the band: how many events, total earnings, total time on stage, the average a gig brings in, this month against this year, which venues you play most, and how reliably each member turns up.
It is the same data seen from further away, which is what you want in front of you when a venue asks what you charge.
Yes. Band admins write an invoice in the app and download it as a PDF with the band's own logo on it. Line items, VAT, payment terms and due date are all part of the document.
Yes. Which fields the invoice asks for follows the band's business country - a KvK and VAT number and an IBAN for a Dutch band, an EIN and a routing number for an American one, and a neutral company registration and tax ID elsewhere. Amounts are formatted the way that country writes money.
Whichever one it sets. Currency is a band-level setting, so a Dutch-speaking admin of an American band sees dollars and an English-speaking admin of a Dutch band sees euro. The language you read the app in does not change the money.
No. Members see their own earnings and their own history. Admins see the band's figures.
Yes. A payment holds both the amount owed and the amount received so far, with pending, partly paid and paid as separate states, which is what actually happens when a deposit arrives before the rest.
Rehearsals carry their own income and expenses, so a rehearsal room that gets billed lands in the same place as everything else the band spends.
Band management software for gigs, rehearsals, line-ups and earnings. Built for band members, freelancers and sound engineers on iOS and Android.
MyGigFlow treats stand-ins and sound engineers as their own roles, with their own rates. Get asked per gig, propose your fee, and keep every band in one account.
Free for every musician. Only band admins pay: EUR 3.99 per month or EUR 39.99 per year, per band. No credit card in the app, billed through the App Store or Google Play.